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Der Hirt und das Meerweib by P. J. von Lindpaintner with Obligato Clarinet in B-flat

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Voice with Obligato Instrument
German
Peter Joseph von Lindpaintner
J. and E. Xanthoudakis
Classical Vocal Reprints
2015
Voice with Obligato Instrument
Soprano
27
full scorevoice with instrumentOriginal KeyViolinGermanKroma EditionsClarinet in B-flat

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Der Hirt und das Meerweib - The Shepherd and the Mermaid by  Peter von Lindpaintner
Editors: Xanthoudakis, E &J
Instrumentation: Piano, Soprano Voice and Clarinet in B flat or violin
ISMN 979-0-90096909-1-7
Price: $ 23.95 US
Duration: approx 7.00min
 
Perhaps an heir to Weber, Peter Joseph von Lindpaintner (1791-1856), born in Koblenz, conductor at Munich’s Isartortheater from 1812, and Kapellmeister at Stuttgart from 1819, where he gained a fine reputation for his conducting and was ennobled as ‘von’ by the King of Württemberg.  Of his 20 operas, several treat supernatural subjects in the Schauerromantik vein of Weber’s celebrated Freischütz.  
Lindpaintner’s Der Bergkönig (1825) and Der Vampyr (produced in the same year – 1828 – as Heinrich Marschner’s opera on the same subject) perfectly illustrate this contemporary fascination with the thrill of the macabre.  Just as songs reflected the agendas addressed on a larger scale in opera, so there are famous examples of the Schauer-Lied: Goethe’s Erlkönig (most famously set by the young Schubert) and Heine’s Die Loreley (as vividly set by Liszt).  As with Schubert’s boy and Liszt’s fisherman, the music leaves no doubt that Lindpaintner’s shepherd is drawn to his doom by enchantment.  In this large-scale virtuoso setting the enticements of the mermaid’s song have a dramatic inevitability: he is lured to the fatal waters.
(Derek Clark)
 
Full German - English translations and historical notes are included.
 
NOTE: This work is also found on the recording by TrioKROMA on MOVE records: The Shepherd and the Mermaid  ( MCD 472 ) and Signum: The Captive Nightingale ( SIGCD398 )

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